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MAPA! Trump’s NASA Administrator wants to bring back Pluto as a planet in our solar system

NASA Administrator Jared Isaacmanwants to put an end to a decades-long debate among scientists. IsPlutoaplanetor not?

The Independent US

Isaacman says it should be — but it hasn’t been one for 20 years. That’s because of a decision fromthe International Astronomical Union, which said it met the definition of a dwarf planet due to the other objects that orbit chilly Pluto. But, critics point out that Earth and Jupiter share orbital space withasteroidsand research since 2006 has revealed more about Pluto.

“I am very much in the camp of [making] Pluto a planet again,” the billionaire SpaceX astronaut told Kansas Sen. Jerry Moran Tuesday in ahearingon Capitol Hill, adding that some papers were underway to “revisit this discussion.”

He had previouslyrespondedto aposton the social media platform X asking for him to make Pluto a planet again. “We are looking into this,” Isaacman wrote. The position also has continued support fromformer Administrator Jim Bridenstine.

However, experts on Pluto remain very much divided on the issue.

NASA Administrator Jared Isaacman said he was on the side of Pluto becoming a planet in our Solar System again. But experts remain at odds (Reuters)

“While NASA administrators are free to wax nostalgic for the days when Pluto was a planet, the actual scientists working in the field will continue to try to explain and classify objects in the solar system in the way that actually helps us understand the world in which we live,” Mike Brown, a professor of planetary astronomy at the California Institute of Technology, toldThe Independentin an email.

Brown, who announced in 2016 that he had found evidence fora ninth planetat 5,000 times the mass of Pluto,had a handin the International Astronomical Union’s decision andwrote a book about killing Pluto’s status as a planet in 2011.

The union acknowledges that its decision continues to fuel intense emotions — but that its definition of what makes a planet remains accurate, a spokesperson also toldThe Independent.

“We understand that many people feel Pluto was ‘demoted; but in fact, Pluto became the leading object of a new family of solar system bodies,” Ramasamy Venugopal, press and media coordinator for the International Astronomical Union, wrote in an emailed statement. “...Scientific classifications are determined through international consensus and evidence-based processes. While they are not subject to unilateral change, they can be amended if the supporting evidence changes.”

Adam Frank, a professor of astrophysics at the University of Rochester, said that the science behind demoting Pluto was “really important and really exciting.” Frank wrote a pieceinForbeson Tuesday telling people to quit “whining” about Pluto’s fate.

“Pluto is part of the rest of the solar system, the outer parts that are construction debris left over from building the planets. We didn’t know this just 30 years ago,” he toldThe Independent.

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Pluto's 'heart' is captured by NASA’s New Horizons spacecraft in July 2015 (NASA/JHUAPL/SwRI)

Still, others are not as settled on the terminology.

“Of course Pluto's a planet, butit isa dwarf planet, a subspecies of planet. The argument seems to swirl about those who wish to say whether dwarf planets are or are not planets. This is a waste of time,” Bill McKinnon, Director of the McDonnell Center for the Space Sciences at Washington University in St. Louis, toldThe Independent. “Pluto is part of the rest of the solar system, the outer parts that are construction debris left over from building the planets. We didn’t know this just 30 years ago.”

“Pluto is round, has an atmosphere, active geology and five (!) moons. What more does a planet need?” he asked, noting that he wasn’t trying to pretend it’s as big or in the same category as Mars or Earth.

Pluto was discovered in 1930 by astronomer Clyde Tombaugh and named – after the Greek god of the underworld – by an 11-year-old English girl named Venetia Burney, according toNASA. It was declared the ninth planet in our solar system.

Although it is only about 1,400 miles wide – half the width of the U.S. – recent findings show that itmay harbor a deep ocean,contain an “active” heartandhave icy mountainsrising as high as 11,000 feet.

But, the thing is that there are many other dwarf planets out there. The union has only recognized five so far, butmore than 100may wait to be discovered, the space agency notes. And Ceres, which was also previously classified as a planet, is closer to Earth and is the largest object in the asteroid belt between Mars and Jupiter.

NASA scientists sent an unmanned spacecraft to fly by Pluto in 2015, capturing images of its icy mountains (Getty)

“It’s easier to have a solar system with eight planets than with, say, 12 or more if all the Pluto-sized bodies get in the mix. If Pluto is a planet again, things get complicated for all those other dwarf planets,” Adeene Denton, a geologist and planetary scientist who worked onresearchabout Pluto’s heart, toldThe Independent. “I personally subscribe to what’s sometimes called the geologic/geophysical definition of a planet – if it’s big enough to have its own active geology, it’s a planet!”

Denton’s colleague Erik Ian Asphaug, a planetary science professor at the University of Arizona, said that the formal definition of a planet “has a lot of problems.”

“If one day we discover an Earth-mass planet full of inhabitants, orbiting a super-Jupiter, it would not be a planet according to the IAU — how silly is that!” he said.

To once again be officially labeled one of the planets of our solar system, it would need the backing of the union. As of today, that looks largely unlikely.

But for many, Pluto has remained a planet — if only in heart and mind.

“When Pluto was discovered at Lowell Observatory in 1930, it was classified as a planet. In the hearts and minds of many scientists and the public, it has remained a beloved planet, despite its reclassification to a dwarf planet in 2006,” Amanda Bosh, the the Executive Director of Arizona’s Lowell Observatory toldThe Independent.

MAPA! Trump’s NASA Administrator wants to bring back Pluto as a planet in our solar system

NASA Administrator Jared Isaacmanwants to put an end to a decades-long debate among scientists. IsPlutoaplanetor not? Isaacman say...
David Allan Coe, who wrote 'Take This Job and Shove It' and other country hits, dies at 86

David Allan Coe, the country singer-songwriter who wrote the working class anthem “Take This Job and Shove It″ and had hits with “You Never Even Called Me By My Name” and “The Ride” among others, has died. He was 86.

Associated Press FILE - David Allan Coe, sporting Willie Nelson braids, performs at the Willie Nelson July 4th Picnic, on July 4, 1983 at Atlanta International Raceway in Hampton, Ga. (AP Photo/Rudolph Faircloth, File) FILE - David Allan Coe is pictured during an interview in Nashville, Tenn., May 9, 1983. (AP Photo/Mark Humphrey, File)

Obit David Allan Coe

Coe's wife confirmed his death to Rolling Stone on Wednesday.

Whether he was labeled outlaw or underground, Coe was clearly an outsider in Nashville's music establishment, even throughout his successes as an in-demand songwriter and singer, eventually developing a core following around his raw, often obscene lyrics and a checkered and somewhat mysterious past.

His wife, Kimberly, posted on Facebook on in September 2021 that he had been hospitalized with COVID-19 and he made few appearances since then.

He did concert tours with Willie Nelson, Kid Rock, Neil Young and others. He wrote “Take This Job and Shove It,” a hit by Johnny Paycheck in 1977, and “Would You Lay With Me (in a Field of Stone),” a hit by Tanya Tucker in 1974. He was also the first country singer to record “Tennessee Whiskey,” penned by Dean Dillon and Linda Hargrove, that has since become a genre standard and hits for George Jones and Chris Stapleton.

His own country hit recordings included “You Never Even Call Me by My Name,” written by Steve Goodman and an uncredited John Prine; “The Ride,” and “Mona Lisa Lost Her Smile.” Coe also appeared in a handful of movies, including “Stagecoach” and “Take this Job and Shove It,” which was named after his song.

Coe, born in Akron, Ohio, spent time in reformatories as a youngster, and served time in an Ohio prison from 1963 to 1967 for possession of burglary tools. He also has said he spent time with the Outlaws motorcycle club, but some of the tales about his prison time and his personal life have been wildly exaggerated over the years.

“I’d have never made it through prison without my music,” he said in an AP interview in 1983. “No one could take it (music) away from me. They could put me in the hole with nothing to do but I could still make up a song in my head.”

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He recorded his first album, a blues album called “Penitentiary Blues,” using songs that he wrote in prison. He later told reporters that he tried not to lean too heavily on prison as a topic for songs because of the similarities to the backstory of Merle Haggard, but that his criminal history was all people seemed interested in focusing on.

Coe recorded next for Columbia Records and did the album “The Mysterious Rhinestone Cowboy,” which became his nickname after performing in a rhinestone suit and wearing a mask.

During the heyday of the outlaw movement, Coe placed himself at the center of the scene, with songs like “Longhaired Redneck,” which featured lyrics about performing in dive bars, “Where bikers stare at cowboys who are laughing at the hippies who are praying they’ll get out of here alive.”

He was featured in the acclaimed documentary about the outlaw country movement called “Heartworn Highways,” in which he performs a concert at a Tennessee prison.

Coe, himself heavily tattooed and sporting long hair, claimed a diverse fan base that included bikers, doctors, lawyers and bankers. His last record, released in 2006, was a collaboration with Dimebag Darrell and other former members of the heavy metal group Pantera.

He released two R-rated albums, 1978′s “Nothing Sacred” and 1982′s “Underground Album,” that he sold via biker magazines. The songs on these albums have been criticized for being racist, homophobic and sexually explicit. He told “Billboard” magazine in 2001 that author and songwriter Shel Silverstein convinced him to record the songs he had written, something he had come to regret.

“Those were meant to be sung around the campfire for bikers, and I still don’t sing those songs in concert,” he said.

In 2016, Coe was ordered to pay the IRS more than $980,000 in restitution for obstructing the tax agency and was sentenced to three years’ probation. Court documents say Coe earned income from at least 100 concerts yearly from 2008 through 2013 and either didn’t file individual income tax returns or pay taxes when he did file.

David Allan Coe, who wrote 'Take This Job and Shove It' and other country hits, dies at 86

David Allan Coe, the country singer-songwriter who wrote the working class anthem “Take This Job and Shove It″ and had hits with “You N...
Original “Blair Witch” stars, directors join reboot after slamming studio for '25 years of disrespect'

Lionsgate announced Thursday that original Blair Witch Project directors Eduardo Sánchez and Daniel Myrick and stars Joshua Leonard and Michael C. Williams have joined an upcoming reboot as executive producers.

Entertainment Weekly Joshua Leonard and Michael C. Williams in 'The Blair Witch Project' (1999)Credit: Everett

Key Points

  • They join the project after a years-long battle against the studio by the actors.

  • Leonard, Williams, and Rei Hance, previously known as Heather Donahue, had accused the studio of "reprehensible" exploitation of their involvement.

The originalBlair Witch Projectfamily is (almost) back together again, after years of acrimony.

Directors Eduardo Sánchez and Daniel Myrick, producer Gregg Hale, as well as stars Joshua Leonard and Michael C. Williams, have officially boarded Lionsgate's upcoming reboot of the horror classic as executive producers, per an announcement shared withEntertainment Weeklyon Thursday.

Excepting one crucial third of the original cast triumvirate — Rei Hance, formerly known as Heather Donahue — theBlair Witchteam appears to have patched up a protracted row that the original stars had with Lionsgate, which Leonardonce accusedof "reprehensible" exploitation.

Joshua Leonard, Rei Hance, and Michael C. Williams at the MTV Video Music Awards in 1999Credit: Ron Galella, Ltd./Ron Galella Collection via Getty

Lionsgate and Blumhouse-Atomic Monster, the recently conglomerated hub formed by Jason Blum and James Wan's production companies, celebrated Sánchez, Myrick, Hale, Leonard, and Williams' involvement as "bringing the full mythology and legacy of the franchise to a new generation of storytelling."

Thursday's announcement also named the long-gestating reboot's director — Dylan Clark, a popular horror creator on YouTube who recently signed with Universal to adapt his horror short "Portrait of God." That forthcoming feature will be produced by an all-star team including Sam Raimi and Jordan Peele.

Chris Devlin wrote the screenplay for the as-yet untitled "new imagining" ofTheBlair Witch Project, with a rewrite from Clark. Devlin previously penned the 2022Texas Chain Saw Massacrereboot, as well as the 2023 horror filmCobweb.

Get your daily dose of entertainment news, celebrity updates, and what to watch with ourEW Dispatch newsletter.

The Blair Witch Projectbecame a creative and commercial phenomenon when it opened theatrically in the summer of 1999. The micro-budget, formally experimental, deep-woods thriller contained no ghosts or ghouls, no vampires or werewolves, really nothing but three scared teenagers wandering in the woods for two hours. Yet it grossed nearly $250 million at the global box office.

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But as the years passed, and as Hollywood did what it does best — endlessly proliferateBlair Witch's IP into sequels, books, comics, video games, and merchandise — the film's cast began to speak up.

The original film was distributed in the U.S. by Artisan Entertainment, which merged in 2003 with Lions Gate Entertainment to become the mini-major studio known simply today as Lionsgate. In a 2015 oral history of the film forThe Week, theBlair Witch's stars and directors painted a picture of creative differences that led to a rushed sequel, 2000'sBook of Shadows: Blair Witch 2.

They eventually lost control of the franchise, or as Sánchez put it, "We lost our innocence." Leonard noted, "I think some people might be a little bitter about the experience. I will say that we had what I have discovered was an incredibly classless experience with Artisan."

Those feelings only deepened as theBlair Witchmachine kept pumping out products, largely without their input, or to their benefit. Leonard released ablistering public statementin 2024 when Lionsgate announced a reboot of the original film, without any of its core creative team involved.

"At this point, it's 25 years of disrespect from the folks who've pocketed the lion's share (pun intended) of the profits from OUR work, and that feels both icky and classless," he wrote onFacebook. All three cast members spoke toVarietythat same year, where Hance claimed they'd been "cut out of something that we were intimately involved with creating," and Leonard said Lionsgate's "behavior has been reprehensible."

Entertainment Weeklyhas reached out to reached out to representatives for Lionsgate and Hance for comment.

The next chapter in theBlair Witch Projectfranchise does not yet have an official release date.

Read the original article onEntertainment Weekly

Original “Blair Witch” stars, directors join reboot after slamming studio for '25 years of disrespect'

Lionsgate announced Thursday that original Blair Witch Project directors Eduardo Sánchez and Daniel Myrick and stars Joshua Leonard an...
This new plane seat design might make you book the last row

Aeroplane cabin designers have invented a new seat system that might mean you actually want to book a space in the very last row.

The Independent US The innovative design makes use of the slimmer fuselage at the rear of the plane (Collins Aerospace)

German company Collins Aerospace debuted itsdesignplans at theAircraftInteriors Expo in Hamburg will the aim of making the final row a more desirable place to sit.

Near the toilets, last to be served and often the final ones to alight the aircraft, people sitting in the back don’t often have the best experience.

However, the company aims to change this with its “SkyNook” design: a semi-secluded retreat with a privacy divider and an extra console to use as a table, bassinet or pet carrier.

The privacy divider will drown out noise from the toilets (Collins Aerospace)

Collins Aerospace explained that the rear of twin-aisle planes is often underutilised as the fuselage narrows, meaning the row is frequently fitted with two seats rather than three.

The SkyNook would make use of the space between the plane's wall and the seat and turn it into a place to travel with a baby or a pet, or use it as a table to work and dine.

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The privacy divider will not only provide a sense of seclusion, but will also dampen the sounds from the gallery and toilets.

"Our team of cabin experience designers are persistent in their dedication to iterating and reimagining cabin solutions that leverage every square inch of space to improve air travel for passengers, airlines and crew members," said Jefferey McKee, a director at Collins Aerospace.

The console will be able to store a bassinet or a pet carrier (Collins Aerospace)

"SkyNook exemplifies this commitment, transforming a frequently overlooked area into a serene retreat that maximises functionality, comfort and flexibility for families, passengers with service animals or those with sensory considerations."

Collins Aerospace won a Crystal Cabin Award for the SkyNook at the trade exposition. It is the company’s 16th Crystal Cabin Award in the 20-year history of the programme.

Collins Aerospace says it anticipates SkyNook will be installed by its first customer by the end of the year.

Read more:Holiday warning as government ‘closely monitoring’ airline jet fuel shortage

This new plane seat design might make you book the last row

Aeroplane cabin designers have invented a new seat system that might mean you actually want to book a space in the very last row. ...
US seeks new coalition to get ships moving again in Hormuz, internal cable says

By Humeyra Pamuk

Reuters

WASHINGTON, April 29 (Reuters) - President Donald Trump's administration is seeking the participation of other countries to form an international coalition to restore freedom of ‌navigation in the Strait of Hormuz, according to a State Department cable seen ‌by Reuters.

U.S. Secretary of State Marco Rubio approved the creation of the Maritime Freedom Construct (MFC), the cable dated ​April 28 said, which it described as a joint initiative by the State Department and the Pentagon.

"The MFC constitutes a critical first step in the establishment of a post-conflict maritime security architecture for the Middle East. This framework is essential to ensuring long-term energy security, protecting critical ‌maritime infrastructure, and maintaining navigational rights ⁠and freedoms in vital sea lanes," the cable said.

The component of the initiative led by the State Department would serve as the diplomatic ⁠hub between partner countries and the shipping industry, while the Pentagon component operating out of CENTCOM headquarters in Florida would coordinate real-time maritime traffic and communicate directly with vessels transiting the Strait, the ​cable ​said.

The story was first reported by the Wall ​Street Journal on Wednesday.

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U.S. embassies should ‌deliver the demarche orally to partner nations by May 1, but not to Russia, China, Belarus, Cuba and "other U.S. adversaries", said the cable.

Participation could be in the form of diplomacy, information sharing, sanctions enforcement, naval presence or other forms of support, it said.

"We welcome all levels of engagement and do not expect your country to shift naval assets and resources away ‌from existing regional maritime constructs and organizations," the ​cable said.

"The MFC is distinct from the President’s Maximum ​Pressure campaign and from ongoing negotiations."

Traffic through ​the strait, which used to carry one-fifth of the world's oil ‌and gas, has slowed to a trickle ​since the U.S. and ​Israel attacked Iran on February 28 and Tehran blockaded the waterway.

The proposal from the U.S. follows a deadlock in efforts to resolve the conflict, which has also led ​the United States to try ‌to squeeze Iran's oil exports with a naval blockade of Iran's ports.

(Reporting by ​Mihika Sharma in Bengaluru and Humeyra Pamuk in Washington; Writing by Raju ​Gopalakrishnan, Editing by Jacqueline Wong and Neil Fullick)

US seeks new coalition to get ships moving again in Hormuz, internal cable says

By Humeyra Pamuk WASHINGTON, April 29 (Reuters) - President Donald Trump's administration is seeking the participation of oth...
Tom Hanks Addresses Woody's Viral Bald Spot in “Toy Story 5” Sneak Peek

Tom Hanks explained the reason behind his Toy Story character Woody's changes

People Tom Hanks; Toy Story's WoodyCredit: Stewart Cook/Sony Pictures via Getty; Disney/Pixar

NEED TO KNOW

  • The Pixar character was notably seen with a bald spot in a sneak peek of the franchise's fifth installment

  • Toy Story 5 hits theaters on June 19

Woody is going through some changes inToy Story 5— andTom Hanks,the voice behind the beloved Pixar character, is addressing one of them.

Hanks, 69, shed some light on the viral glimpse of whatappeared to be a bald spoton the toy cowboy in the upcoming film. "He has been played with to excess," Hanks said in an interview withEntertainment Weeklypublished on Tuesday, April 28.

"You put a rubber hat on top of a rubber head again and again and again and again, something's gonna chafe," Hanks elaborated. "So, yeah, he does have… let's say a worn area on the back of his head."

Hanks went on to discuss why Woody's body has also changed since the first film in the franchise, which was released in 1995.

"He is not shaped plastic," the two-time Academy Award winner explained. "He is made of stuffing and cloth, and that stuff settles over time."

In thetrailer, a poncho-wearing Woody removes his cowboy hat to unveil his hairless spot, which hilariously attracts the sunlight that ricochets off his plastic patch of baldness and into the eye of his now-blinded toys.

Woody in Toy Story 5Credit: Pixar

"Ooh! Ouch!" the toys say collectively as the light shines in their eyes. "Someone needs a brown marker," Trixie, the blue plastic Triceratops, quips about coloring in Woody's bald spot to match his hair.

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DuringDisney's D23 expoin August 2024, director Andrew Stanton revealed that the upcoming fifth film will cover a variety of contemporary issues, most notably, the impact of modern technology on how children play.

“InToy Story 5the toys' jobs get exponentially harder when our toy crew goes head to head with what kids are obsessed with today: electronics,” Stanton said at the time.

Never miss a story — sign up forPEOPLE's free daily newsletterto stay up-to-date on the best of what PEOPLE has to offer​​, from celebrity news to compelling human-interest stories.

Woody in Toy Story 5Credit: Pixar

The concept art andteaser trailerunveiled in 2024 depicted the toys looking on despondently as the child who owns the toys is engrossed in an activity on a tablet.

The franchise, which began in 1995, has long examined the unique relationship between children and their favorite childhood toys, nostalgia, and the growing pains of adolescence. The upcoming film will chart new territory in its examination of the technology kids are picking up today.

The fifth installment of the movie franchise hits theaters on June 19.

Read the original article onPeople

Tom Hanks Addresses Woody's Viral Bald Spot in “Toy Story 5” Sneak Peek

Tom Hanks explained the reason behind his Toy Story character Woody's changes NEED TO KNOW The Pixar characte...
Lisa Kudrow Makes Scathing Claims about The ‘Friends’ Writers

Three decades afterFriendsfirst became a cultural phenomenon,Lisa Kudrowhas made someunsettling claimsabout the show’s work environment, particularly regarding thewriting staff, which quickly caught the internet’s attention.

Bored Panda

In a candidinterviewon Thursday, April 23, reflecting on her time on the show, Kudrow revisited her character, Phoebe Buffay, through a far more critical lens.

The revelation has sparked a heatedcontroversy, with many netizens calling the alleged on-set behavior “unjustified andunprofessional.”

“It doesn’t matter how much the actors were paid. They were paid to act, not to bemistreated…” one user fumed.

Lisa Kudrow made several scathing allegations against the writers of the hit sitcomFriendsin a recent bombshell interview

Image credits:lisakudrow

Premiering in 1994,Friendsfollowed the lives of six young adults, three men and three women, as they navigated their 20s and 30s in New York City.

Lisa Kudrow was one of the show’s core female leads, alongside Jennifer Aniston and Courteney Cox, and portrayed the iconic Phoebe Buffay, an eccentric, free-spirited massage therapist and folk musician known for quirky songs like Smelly Cat.

One of the key reasons for the show’s massive success was its true ensemble format, with each of the six characters having distinct, relatable personalities rather than centering on a single lead.

Image credits:warnerbrostv

While everything appeared fun and lighthearted on screen, the reality behind the scenes, according to Kudrow, was far different.

In an interview withThe Times of London, she described the working environment as “intense” and “brutal,” adding, “There was definitelymean stuff going onbehind the scenes.”

Image credits:VanityFair

Kudrow further claimed that writers, “mostly men,” would openly insult the cast behind their backs if a line was flubbed during a live taping.

She recalled, “Don’t forget we were recording in front of a live audience of 400, and if you messed up one of these writers’ lines or it didn’t get the perfect response, they could be like, ‘Can’t the b**ch f**king read? She’s not even trying. She f**ked up my line.’”

Kudrow alleged that the “mostly male” writing staff used derogatory language and discussed “s*xual fantasies” about female stars

Image credits:lisakudrow

Lisa further claimed that the writers’ room, consisting of about 12 to 15 men, “would be up latediscussing their s*xual fantasiesabout Jennifer and Courteney. It was intense.”

“It could be brutal, but these guys — and it was mostly men in there — were sitting up until 3 a.m. trying to write the show, so my attitude was, ‘Say what you like about me behind my back because then it doesn’t matter.’”

TheHotel for Dogsstar explained that she was able to ignore the behavior because she “married early and outside the business,” which made her “less interesting” to the writers than her co-stars.

Image credits:lisakudrow

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She added, “All because I married early and outside the business. No one was interested. There was no story.”

The internet has since expressed disgust over the claims, particularly calling out the alleged verbal a*use ands*xist attitudeof the writers toward the cast.

“It was one of the biggest TV shows and a writer can very much have power over your role and… get you blacklisted,” one netizen wrote

Image credits:warnerbrostv

One user said, “Men are disgusting… Crazy how I’m not even shocked anymore when I read these kinds of stories…”

Another added, “They were TV writers. The fact that even with that, they could be absolutely disgusting about… successful and famous stars. Nobody cared!”

“I enjoy watching Friends, but the writing is mostly kind of dogs*it and im not surprised at all that the writers were s*xist creeps,” remarked a third.

Image credits:warnerbrosentertainment

Others expressed, “Good on her for speaking out about it now, can’t imagine how difficult it must’ve been for the actors to do their jobs in an environment like this.”

“Men ruin everything… Sorry to hear that, but happy that’s she’s spilling the beans, no more protecting of s*itty men.”

Two decades prior to Lisa’s recent revelation, in the early 2000s, Amaani Lyle, a writer’s assistant onFriendsSeason 6 in 1999, filed a harassment lawsuit alleging that male writers engaged in lewd and demeaning behavior.

Image credits:warnerbrostv

The allegations mirrored Kudrow’s account, as Lyle also claimed that writers discussed graphic s*xual fantasies about the female stars.

Lyle, who is Black, further alleged that the writers made raciallyinsensitive remarks, mocked Black people, and even ridiculed aspects of the cast members’ personal lives.

Lisa’s claims also resurfaced Friends writer’s assistant Amaani Lyle’s harassment lawsuit against the show’s writing staff

Image credits:maaniandharper

Despite these detailed claims, Lyle ultimately lost hercase.

In 2006, the California Supreme Court ruled in favor of the production, determining that the “coarse” behavior was part of the creative process for an adult-oriented comedy and did not constitute targeted harassment.

While Aniston has not addressed the recent allegations about the show’s work environment, she has acknowledged that certain aspects ofFriendshave not aged well and lacked the “sensitivity” expected today.

In a 2023interviewwithVariety, she said, “There’s a whole generation of people, kids, who are now going back to episodes of ‘Friends’ and find them offensive.”

“There were things that were never intentional and others… well, we should have thought it through — but I don’t think there was a sensitivity like there is now.”

“Writers rooms used to be insane full of misogyny and racial jokes. With middle-aged white men leading the way,” wrote one user

Lisa Kudrow Makes Scathing Claims about The ‘Friends’ Writers

Three decades afterFriendsfirst became a cultural phenomenon,Lisa Kudrowhas made someunsettling claimsabout the show’s work environment...

 

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